resurrecting the blog to bare my soul to the world, again (and to Zsa Zsa)

I have let this blog thing languish. It hasn't been the right medium for me to do what I needed to do.

Everything I write that is in any way shared with others, I write to a specific audience, often of one, with whom I am generally, to some degree, flirting. So, to carry forward that feeling, and to protect both the innocent and the guilty, and those in between, I have decided that I will fictionalize the current audience with a phony name. I name my audience Zsa Zsa.

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Dear Zsa Zsa,

In what I shall call "normal times," I maintain tight control over my being, my emotions, my expressions, and my behavior. I am not wholly unemotional, but I express my feelings indirectly, often through wordplay and humor. Although I appear fairly collected and calm, anxiety and fear impel my every movement.

In normal times, I follow an invariable routine, focused on productive activity, until I can no longer be productive because of the tremendous expenditure of energy on staying alert. Then I break down, one way or another.

My favorite way to break down involves terrible Bacchanalia, which I shall not describe in this space but hint at in order both to avoid revealing too much and to further titillate by leaving it to your imagination. For now, I emphasize: terrible Bacchanalia.

Of course these "carnival times" are destructive. At the end of them, and as their consequence as much as due to the effort to control myself during normal times, I am exhausted, beaten, and empty. And the tension throughout my body and psyche is finally gone.

I don't remember ever living my life any other way, including in childhood -- although childhood Bacchanalia typically didn't resemble those of present day. If it is a dysfunctional way to live, it is a lifelong pattern of dysfunction, and those are the most difficult to change.

You see, I recognize the desirability of change. I do not want to face the consequences of the destruction of carnival times. Yet I want to continue to indulge in the intense delectation of carnival, and I want to be able to keep it in my pants, so to speak, as needed for daily life.

I recently came upon a book that reminded me of a thought from a few years ago, on the difference between play and creative activity. I think this is key to finding a way forward. Normal times lack any play. Carnival times are something beyond play, something atavistic and bestial.

Play is goalless, not directed toward production, certainly not economic exchange of any kind. It is done for its own sake. It is not destructive, but nor does it necessarily create something that fulfills a need for anything beyond play itself -- at least, that is not its purpose. Many of the examples of play I can think of immediately are musical: Thelonious Monk's songs and style on piano; Marc Ribot guitar solos; John Fahey's demented restructuring of old folk music.

Imagine living a life like a Thelonious Monk song. Who would need either the normal or the carnival?

Of this, my fair Zsa Zsa, more to come.