Last night, we got a chance to hear the contemporary jazz trio The Bad Plus, on a double-bill with a classical pianist named Christopher O'Riley, whose claim to fame in the not-so-classical world is his transcriptions of Radiohead for solo piano. Whoever put the show together obviously thought that since The Bad Plus plays hot jazz versions of rock tunes (notably Iron Man, Heart of Glass, Smells Like Teen Spirit, and a song by the Pixies called Velouria - none of which did they perform), that it would work together on that basis. Eh. O'Riley is a classical pianist in style and performance, and never mind that he was playing Radiohead. It was transcribed for solo piano, and it wasn't, in that regard, anything like what The Bad Plus was up to. So the crowd was sparser than it might have been, and less hip than it might have been.
We had a blast, especially during The Bad Plus. Because of the light audience, we moved from our $20 nosebleed seats into gallery seats (I think they wanted $45 for them) right above the stage, above drummer Dave King. That was the right choice, because we got to see King toy (literally) with his drums all night. He used a penguin jangly toy, a cooking pot, and for their cover of Radiohead (from an upcoming Brit anthology of others doing Radiohead), E.T. dolls that made electronic whining sounds.
One thing had bothered me about The Bad Plus, which last night I decided was a reason to like them all the more. I was imagining jazz critics trying to write about them, and wondering if they're charlatans or serious. What I mean is that they choose music, and perform in a style, that is more like a rock band, and since jazz critics and audiences tend to be snooty (it's America's Classical Music [TM] after all), I wondered how they take to the raucous beat-down performances of Iverson, Anderson, and King. When King pets the side of his drums with a cooking pot, is he just screwing around, or is he doing something musically important? Last night, I decided, whether or not he's screwing around, he and the rest of the band are playing music they are enormously passionate about, and that's what counts. King attacks furiously, Iverson moves between what looks like deep self-critical introspection and effusion, and, as Lauren observed, Anderson looks like he's in love with his bass.
We got home before midnight from San Francisco, and today we've handled some basic work and school fiddly bits, before a planned trek to Yosemite tomorrow for a day trip, tromping around up there. The rest of the week promises - absolutely promises - lack of movement.
We had a blast, especially during The Bad Plus. Because of the light audience, we moved from our $20 nosebleed seats into gallery seats (I think they wanted $45 for them) right above the stage, above drummer Dave King. That was the right choice, because we got to see King toy (literally) with his drums all night. He used a penguin jangly toy, a cooking pot, and for their cover of Radiohead (from an upcoming Brit anthology of others doing Radiohead), E.T. dolls that made electronic whining sounds.
One thing had bothered me about The Bad Plus, which last night I decided was a reason to like them all the more. I was imagining jazz critics trying to write about them, and wondering if they're charlatans or serious. What I mean is that they choose music, and perform in a style, that is more like a rock band, and since jazz critics and audiences tend to be snooty (it's America's Classical Music [TM] after all), I wondered how they take to the raucous beat-down performances of Iverson, Anderson, and King. When King pets the side of his drums with a cooking pot, is he just screwing around, or is he doing something musically important? Last night, I decided, whether or not he's screwing around, he and the rest of the band are playing music they are enormously passionate about, and that's what counts. King attacks furiously, Iverson moves between what looks like deep self-critical introspection and effusion, and, as Lauren observed, Anderson looks like he's in love with his bass.
We got home before midnight from San Francisco, and today we've handled some basic work and school fiddly bits, before a planned trek to Yosemite tomorrow for a day trip, tromping around up there. The rest of the week promises - absolutely promises - lack of movement.
don't much like jazz...but those guys sound interesting...just catchin'up with the Doc...
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