Some context: I don't go to movies often. I don't enjoy the experience, and I tend to be hyper-critical of movies. I'm also a big fan of Douglas Adams, especially, as I suppose would go without saying, of the Hitchhhiker's trilogy.
Lauren and I had read the first four books in the trilogy together just recently. I hadn't read them in years, and it was wonderful to get back into them. At his best, Adams' writing tickles my brain in a very particular way that pleases me tremendously.
So we were sure to go see the movie when it came out, and yesterday, opening day, there we were, at the matinee. Lauren was guardedly optimistic; I was prepared for it to be bad. You see, we'd been reading reviews of the thing days before. The balance was on the negative side, but it was clear that some of the reviewers who panned it either didn't understand science fiction or didn't understand Adams. One actually criticized the film's plot for not making any sense - clearly this person hadn't read the book. Those who had were often upset that good lines were omitted or rewritten, with the effect of making them less funny. The positive reviews were often odd, too. Some of them were just enthused that it got made (there's a long history of failed attempts to get the project off the ground, beginning in the early 80s). Others seemed to be speaking in opposition to the harsh criticisms, offering that Mos Def wasn't too bad as Ford Prefect, for instance, or that the way they handled Zaphod Beeblebrox's having two heads could have been worse.
So we went to see it. It was pretty bad. Almost none of it retained Adams' sense of the strange, almost none of it retained his sense of humor. The best bits were the sections from the book and the visual effects of the Vogon constructor fleet and of Magrathea. The opening credit sequence, featuring a song-and-dance number that many critics decried vehemently, was actually kind of fun.
The two main problems are these. First, nothing that happens in the movie seems motivated by anything. Adams' stuff relies on exposition - provided humorously by the book's narration in the original radio series, by that and additional text in the books. His jokes are not generally one-offs. Adams' versions of the events sketched in the movie are driven in a particular direction, arbitrary or disjointed as that sometimes is. All that is missing. If you didn't know the book, you wouldn't understand what was going on, basically from the beginning. If you did know the book, you wouldn't understand why they did what they did with it.
But above all, the very worst thing about it, is that it just wasn't funny. There were bits that were amusing, but I think I laughed once, quietly.
Lauren and I had read the first four books in the trilogy together just recently. I hadn't read them in years, and it was wonderful to get back into them. At his best, Adams' writing tickles my brain in a very particular way that pleases me tremendously.
So we were sure to go see the movie when it came out, and yesterday, opening day, there we were, at the matinee. Lauren was guardedly optimistic; I was prepared for it to be bad. You see, we'd been reading reviews of the thing days before. The balance was on the negative side, but it was clear that some of the reviewers who panned it either didn't understand science fiction or didn't understand Adams. One actually criticized the film's plot for not making any sense - clearly this person hadn't read the book. Those who had were often upset that good lines were omitted or rewritten, with the effect of making them less funny. The positive reviews were often odd, too. Some of them were just enthused that it got made (there's a long history of failed attempts to get the project off the ground, beginning in the early 80s). Others seemed to be speaking in opposition to the harsh criticisms, offering that Mos Def wasn't too bad as Ford Prefect, for instance, or that the way they handled Zaphod Beeblebrox's having two heads could have been worse.
So we went to see it. It was pretty bad. Almost none of it retained Adams' sense of the strange, almost none of it retained his sense of humor. The best bits were the sections from the book and the visual effects of the Vogon constructor fleet and of Magrathea. The opening credit sequence, featuring a song-and-dance number that many critics decried vehemently, was actually kind of fun.
The two main problems are these. First, nothing that happens in the movie seems motivated by anything. Adams' stuff relies on exposition - provided humorously by the book's narration in the original radio series, by that and additional text in the books. His jokes are not generally one-offs. Adams' versions of the events sketched in the movie are driven in a particular direction, arbitrary or disjointed as that sometimes is. All that is missing. If you didn't know the book, you wouldn't understand what was going on, basically from the beginning. If you did know the book, you wouldn't understand why they did what they did with it.
But above all, the very worst thing about it, is that it just wasn't funny. There were bits that were amusing, but I think I laughed once, quietly.